Inspired by Werner Herzog’s cinematic masterpiece, Fitzcarraldo is an in situ intervention that challenges traditional art hierarchies and presentation methods within a dedicated exhibition space. Over the past weeks, since his return to Greece, Theo Michael has meticulously explored the quarries around Mount Pentelis, the historic origin of the Parthenon’s marble, to source massive rocks for this installation. By reflecting on the ancient techniques of extracting and transporting marble, Michael performs an act where not only the stones themselves become the primary artwork, abut also the process of their extraction and transportation, relegating the accompanying sculptures to a secondary role. This performative gesture disrupts conventional art display, inviting viewers to rethink the relationship between art and space.

The installation, which occupies a significant portion of the exhibition area, comprises large marble rocks arranged to create a sculptural volume that balances meticulous assembly with the aesthetics of ruin. This work blurs the lines between historical and a historical, indoor land art, and the reflection on ancient skills and lost technologies. Fitzcarraldo extends beyond mere sculpture to engage with architecture, social interaction, and meditation. The stones form a space within a space, evoking archaeological sites and fostering a unique landscape for social interaction throughout the exhibition. These boulders serve as metaphorical and practical anchors, prompting viewers to reimagine norms and traditional concepts of living spaces.

Fitzcarraldo is supported by NEON through its annual Grants Scheme.