How does the body in pain move and communicate? Where are the boundaries between pain and pleasure in an era where the alternation between those two takes place instantly? The performance painfully painless seeks a sensory, pre-linguistic, unspeakable language, one that focuses on the mobility changes of a person in pain.

The ensemble approaches this subject matter through methods invented by humans for pain management, and develops the piece along two basis axes, one kinetic and one sonic. On the one hand, it focuses on the sensation of bodily pain. A body in pain moves in such a way as to always pursue and complete what is not there. It lives, organizes and regulates itself through memories from the time when it was “complete” and healthy. Its movement, presently elliptical, is realized every moment along with whatever is omitted. On the other hand, it guides us to listen to the particular language in which the phantom of pain expresses itself. Performers on the microphone recite mantras, words, instructions on pain management; they laugh, cry, breathe and everything is recorded, played back and gradually converted into audio frequencies. In this piece, the two aforementioned axes cross paths in multiple ways and instantly illuminate connections highlighting social, religious and cultural mandates on pain.

The performance  painfully painless is supported by NEON as part of its annual Grants Scheme.